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개기일식을 맞아 한번의 상징적 죽음을 경험한 작가의 이야기를 도자기 조각과 회화를 알레고리적 설치 방식으로 풀어낸 전시이다. 그녀는 살아있어도 죽은 몸이자 망자들의 세계에 걸쳐있는 몸이다. 이 이야기는 그녀 자신이 죽어서 어떤 존재들을 살리는 걸지도 모른다. 이 전시에는 그녀의 몸에서 일어난 무의식적 죽음과 재탄생의 과정 그리고 어떤 매개자 같은 여성에게서 끊임없이 반복되는 이러한 현상의 기억이 담겨 있다.

The exhibition is an allegorical installation of ceramic sculptures and paintings that tells the story of an artist who experienced a symbolic death during a total solar eclipse. She is a body that is both alive and dead, a body that spans the world of the dead. In this story, she may be saving some beings by dying herself. The exhibition includes the unconscious process of death and rebirth that occurred in her body and the memory of this phenomenon, which was repeated over and over again in a woman like a mediator.

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The graduate exhibition The Call includes works by 26 students from seven classes, who will present their paintings, sculptures, installations, films and video, sound works and performances. The exhibition is a testimony to the students’ growth and formation through an intensive exchange between students, professors, guest professors, teachers, and invited lecturers. The title of the graduation show, The Call, resonates with this dynamic environment of Städelschule, imaginable as the buzzing of a myriad calls: An environment of rings and resonances.

The artists are Bogdan Ablozhnyy, Benjamin Tiberius Adler, Amanda Assaley, Yvo Cho, Jiyoon Chung, Donghoon Gang, Samuel Linus Gromann (†), Zishi Han, Cyril Tyrone Hübscher, Sopo Kashakashvili, Mahya Ketabchi, Emilie Estrid Kjær, Koon Kwon, Siyi Li, Antonio López, Hemansingh Lutchmun, Günther Möbius, Nina Nadig, Thuy Tien Nguyen, Chaeheun Park, Eric Powell, Gabriele Rendina Cattani, Emma Rosenzweig, Arthur Stachurski, Andreas Tang, and Dmitry Teselkin.

From the classes of Monika Baer, Gerard Byrne, Judith Hopf, Hassan Khan, Tobias Rehberger, Willem de Rooij, Haegue Yang, and former professor Peter Fischli.

The exhibition is curated by Johanna Laub.
 

https://staedelschule.de/en/offentliche-programme/absolvent_innenausstellungen/2024-ausstellung

© 2016-2025 Koon Kwon
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