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Natasha
(Singapore Biennale 2022) 
16 Oct 2022 - 19 Mar 2023

Tales in Stone

Link: https://www.singaporebiennale.org/artists/shin-beomsun
News: https://www.iias.asia/the-newsletter/article/dear-you

Shin Beomsun

Korea, Republic of

With Koon Kwon, Kyungtae Kim, Maya West, mediabus Min & Sulki, and Lee Sungeun

 

Tales in Stone: In Search of the Language of Primordial Paradise, 2022
Singapore Biennale 2022 Commission

 

Tales in Stone: In Search of the Language of Primordial Paradise is a collaborative project presented as a mixed media installation. The project centres on Shin Beomsum’s research surrounding petroglyphs, which are stone carvings or paintings made by removing part of a stone’s surface by picking, abrading or carving. Through this project, Shin explores the stories and mythologies that may have arisen from the images and patterns engraved on these stones. Alongside the presentation of the stones collected by Shin, the project also presents alternate imagery in the form of sketches by Shin as well as paintings by Koon Kwon, photographic prints by Kyoungtae Kim, and an optical viewing device designed by Sungeun Lee. Installed next to these components is an optical device that provides an opportunity for audiences to have a closer look at the stones presented.

 

BIO
Shin Beomsun (b. 1956) retired from the professorship at the department of Korean Literature at Seoul National University in 2021. An author of several books, Shin specialises in early modern literature, particularly texts from the Japanese colonial era. Besides literature, Shin has dedicated his attention towards the research of pre-historic rock paintings. Both modern literature and rock paintings unfold the possibility of attentive and deep reading, which open up a new ontological field beyond the current paradigm, which Shin calls “the modern-mirroring regime based on the logic of mimesis.” He currently lives and works in South Korea.

 

RESOURCES

 

INFORMATION

  • Tales in Stone: In Search of the Language of Primordial Paradise. 2022. Mixed media installation. Dimensions variable.

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Okdong-cheon Coffee-Colored 
Princess Shyashyahwa 
Stone- Tablet,

Okdong-chheon, Gimsatgat Village

Shyashyahwa Princess and Shyashya Queen, Acrylic on canvas, 90x116.8 cm, 2022

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Auraji Black Cyosmic Tree Stone-Tablet, 
Auraji Riverbank, Jeongson

아우라지 검은색 우쥬목 석판
정선 아우라지 강변

Auraji Black Cyosmic Tree Stone Tablet, 2022
Charcoal and oil on canvas, 130 x 97 cm

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Naerincheon Bird Gyryffyn 
Forest Stone-Tablet
Naerincheon, Injae


내린천 새 기리핀 숲 석판
인제 내린천

Black gyriffin shaman, oil and gelstone on canvas,
72x91cm, 2022

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© 2016-2024 Koon Kwon
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